Thursday, June 3, 2010
I come to you
My eyes will answer for me
I did not sing for you
It is the wound inside of me
Not my fault to leave you behind
Believe me, my Home
I had no other choice
I miss to be in Baghdad
To be in al karrada
and in al mansoor
These are from the lyrics of this beautiful song by Iraqi singers and musicians Majid Kakka and Haitham Yousif.
Majid Kakka (on the left of the picture) is known for his wonderful work with Bells band in mid 1980's. I would never think of anyone who could re-produce Iraqi Maqam and traditional Baghdadi songs the way he did during that time.
Haitham Yousif (on the right), known as "the Prince of Love" (he issued an album with the same title). He is known for his warm voice and beautiful melodic songs. He reached stardom in the early 1990's.
The song is about Iraq, Iraq that will never be forgotten in spite of all the years living abroad. The song reflects little details on their feeling towards their home country, but with deep lyrics that would bring a lot of flash backs to any Iraqi.
The lyrics of the song are by Hazim Jabir, the music composed by Haitham Yousif, the music arrangement, mixing and mastering are by Majid Kakka. The song is recorded and filmed at Bells studio in Detroit, USA.
Bells Studios? this is Majid Kakka own studio, right?
Both are considered masters in their genre in using synthesizers in their songs. This musical style became the dominant in Iraq since the early 1980's and it replaced gradually the bands in Iraqi music circles and sites such as Al Seed or Al Ilwaiya clubs in Baghdad, until it became rare to see a band with a drummer and bass guitar. The development of Iraqi music is not the subject of this post, but not a lot of Iraqis liked the transition to using synths in Iraqi songs. However, it did not ruin it, but surely there were some who abused it.
I loved it in the beginning when Yousif enters the studio and the way Majid Kakka greets him with "ahlaaaaaaaaaan" with a strong hand shake that ended in a big warm hug.
The song in total is very catchy, and one of the reasons I guess is because of the combination of the two voices: it added more to the beauty of this song.
Listen, watch and enjoy
Tuesday, April 27, 2010
After hearing and reading about the news recently circulated all over the world wide web about Iraqi
Prime Minister, Noory al Maliki, and his salary, I thought of putting pictures of another Iraqi leader, Abdel Karim Qasim
Does that ring a bell?
Saturday, April 24, 2010
Wednesday, March 24, 2010
I love albaghdadia because this channel stands by the common Iraqi citizen, and reflects the real situation of Iraqis in Iraq and abroad: interviews with Iraqi expatriates, present on most occasions and events outside Iraq - I attended a number of events in the Netherlands where coincidently seeing Albaghdadia crew filming and making interviews with people. This brings me to the topic of today: the early morning daily show “Pleasant Morning for Iraq”. I watch a replay of this show every night at around 11:30 – due to difference in time zone I cannot watch it when it’s aired live around 7am.
What happened yesterday to Minas Al-Suhail and the crew of Albaghdadia while doing live coverage for “Pleasant Morning for Iraq” from Baghdad’s district of “Al Qahira” was outrageous and frustrating. It is not the first time that one of albaghdadia reporters and crew being harassed and even beaten up by personnel from Baghdad Operations Command. But, yesterday’s assault was different, first because the two men attacked al-Suhail and his colleagues were from the Terrorism Combat Force, an entity belongs to the military intelligence within the ministry of interior; second, the assaulters called albaghdadia journalists and cameramen while attacking them with “Ba’thists”!
Is this enough or do I have to explain where those two assaulters came from??
May I say that what happened to Minas and his colleagues is some kind of reflection to the pro-elections-mood by some figures from the government who come out on TV with nervous (and angry, sometimes) faces threatening or warning when voting results appears to go in opposite direction to what they desire?
Why beating up a reporter?? What guilt did he make? Is it listening to the suffering of people doomed by its rulers for decades are considered as guilt?
Why beating up a reporter?? Is it wrong for a reporter to reveal the truth about how the country is still being looted by all sorts of scumbags, obvious from the bad services, well, by the lack of services on every street and house? It seems that it is so insulting for a government official to see a man in his 60’s presenting his case to million of viewers. The insulting part is not because an old man is complaining; it is because the complaint is so righteous that an official will not be able to listen, will not be able even to find a hole to hide in.
Why beating up a reporter?? Obviously the answer can take us back in time when Saddam used to rule the country. Saddam planted the seeds for bringing up a violent culture, where the use of hand and pistol dominated the behavior of many in dealing with any damn situation. Someone would argue that Iraqi society is just bloody or violent (I heard that before), but I simply do not agree, we were not born with a pistol in one hand. We were not by instinct ready to go on the streets of Najaf and start bad mouthing, slapping and kicking the hell out of the unarmed. The resemblance between the old times under the former regimes and now are strong, and there is a common thing between now and then: the presence of a camera...
Then, the camera was used by the ruler to put fear in the hearts of people –Saddam filmed his fake coup attempt back in 1979, and his brother filmed his own rants and bad mouthing during a big meeting for the Ministry of Interior.
Now, the camera is in the hands of others, the media, the people, and it is revealing the truth on daily basis. It is disclosing incompetence, and makes the voice of the citizen heard, loud and clear.
Minas Al-Suhail, Ali Al-Khalidy or Haider Nasir, Mustafa Ibraheem, Hussain Asad and many others like them, from Albaghdadia or any other honest TV channel, are names I greatly admire. They deserve a medal, not a dirty hand trying to stop the truth from coming out.
Monday, March 15, 2010
Sahab, for those who still don't know is one of few committed and honorable people around documenting and showing the truth about atrocities too place against the Iraqi people, focusing on the shelters of death, one of these shelters is Al Amiriya - first time I wrote about this tragedy was last year, then I wrote about the interview Al Baghdadia channel conducted with families of victims.
The documentary is made by Siham Jouhari, a French flim maker of Morrocan origin, known for the award winning short movie “Faces of wrath”, about the war on Gaza in 2009.
I took a look at the website but could not find any news or a source to the movie.
Anyone knows about the movie, please let me know.
Sunday, March 14, 2010
I bought the album when I was in Abu Dhabi last year October. It was around that time when the album first came out. During my three weeks stay the only music played at the Abu Dhabi Carrefour super markets were songs from that album.
Kadim Al Sahir is a pioneer and made his mark making songs with lyrics in Classical Arabic. I don't listen frequently to songs from such a genre, so I have to be careful with what I say about Al Sahir songs. Having said that, it does not mean I did not enjoy songs like “Hel Endaki Shak?” (Do You Have Doubts?) and “Ikhtary” (Make A Choice) from this master of profession Iraqi singer. Speaking of those two songs, mind you there is some 9 years gap between each song when I first listened to them, but both carry some special magic formula – here I am not making comparison or to say that they are better or worse than other Al Sahir songs like “Layla” (not Eric Clapton), or “Madrasa Al Hob” (School of Love), or even “Qooly Ohiboka” (Say You Love Me)…etc
Now that I talked about how I see Al Sahir’s music, I want to say that the magic formula I just mentioned is felt with a big dose on the new album, “Alrasm Bil Kalimat” (English: Drawing with Words), especially on the title song, but lets stop here, I will talk about this song in a bit.
All songs on “Alrasm Bil Kalimat” album were composed by Al Saher himself, except for “Al Jareeda” (The Newspaper), a song with lyrics written in Gulf-Region dialect, and composed by Mohammed Shafiq, A Saudi musician who worked in the past with Al Sahir on songs from previous albums.
The album kicks off with “habeebety” (My beloved). The lyrics of the song are taken from a poem written by the legendary Syrian poet Nizar Qabbani. Not my favorite song from the album, but I liked most the use of wa-wa guitar effects. From reading the lyrics and listening to the music I imagined a man deep in love with his woman, do passionate about every move, look, touch, even with the way she dance. The video clip of the song translated the song in the best way possible and as I anticipated. The second song is the orchestra like hit single “Al Mahkama” (The Court). This is an epic song, and to many it is the surprise of the album. The song is a duet with Moroccan female singer Asma Lemnawar. I read somewhere that the song originally made to have Al Sahir singing the song with Syrian female singer, Asala but due to financial differences such cooperation was doomed. Anyway, If these rumors were true, the second best choice is resulted in a masterpiece. The lyrics of the song is written by the great poet Kareem Al Iraqi, a man known for his god-gifted ability to bring words to live with deep words and passionate sentences. No one could or can beat this man in such a style. The song tells the story of a man and a woman standing virtually before the judge and pleading for justice, each presenting his case and tell stories of pain, agony, jealousy, bad friendship, and what was in the past and what has become… but… did they lost the love they had for each other?… contradiction within human nature... happy ending?
Below is the official video clip of the song, which was filmed in Ukraine, and directed by Hussain D’ebis.
There are six songs from the album performed with Iraqi dialect. Having that number of songs in Iraqi dialect has indeed boosted my support for this album, not being bias here, but the music is so beautiful that no one can just dare to skip from one song to the other. Each song carried a different flavor, musically, of course: there is the traditional Choby dance on “600 boosa” (600 Kisses). I was expecting the song to be played live when I attended Al Sahir's concert a couple of months ago in Brussels, but that did not happen. “Daggeet ween il bab” (Knocking the Door) is another Iraqi dialect song and have the same feeling as songs from al maqam al iraqi songs, such as "Gulli ya Hilo" or "Ghali wil Nabi Ghali". Al Sahir does not need to prove anything to anyone, but putting traditional musical elements to a newly created song like this is another living testimony of his genius. The next song, “Iskut” (Don’t say a Word) has a spoken words intro, I am not a big fan of this, but when the music starts till the end (it did not need a number of times of listens), it makes it one of my favorites from that album, especially with the high pitch part in the middle of the song, just stunning. A big salute to the way this song is mixed too. Another epic song from this album is “mo tabee’y” (Not From This World), it falls in the same realm as "AlMahkama", in my opinion, but sang with Iraqi dialect. It is a song that is like another piece of jewelery presented in a luxury box to the listener, a fantastic story telling of a man listening to his best friend who is torn apart by the thin line between love and hate. The last, but not least is the song “Il Hilim” (The Dream): gives me the impression that this song is an attempt to approach Lebanese and Syrian listeners, yet, this mid-slow tempo (I call it "saltana style") is by no means considered as commercial or a fills-up for the album. I just love to repeat the beautiful intro of the song before I pull my finger away from the CD player to listen to the song as a whole.
If I want to talk about the title song from this album it would needs a separate post to write about, so I will keep it brief, especially when I see myself ignoring the rest of the album is a sort of injustice, in my opinion, and to this great musician (and I have to mention his band) and to the effort he put on each song. For that reason I decided to write a full album review, as already seen.
The song “Alrasm Bil Kalimat” (Drawing with Words) is composed by Kadim Al Sahir himself and the lyrics are taken from a poem written by Nizar Qabbani in 1966 – a poem that generated a lot of critics then because of the language and reference to a lot of details in the female body. "Don't ask me to recall my past life, as the story is long, my queen. You find me in every era, like I am millions years of age." It is a story about a man looking back at his past glories, his conquests in the land of sirens, and what has become of him today; a decaying soul, incapable of love and passion, the pen and the paper became his only salvation.
The music of the song was done using heavy symphonic arrangements. I felt like 9.34 minutes is too short for such a magnificent piece of music. The song is warm and powerful, rich with its musical elements; genius to merge classical music instruments in such a way with Arabic music style and scales i.e. maqams.
The mastering and mix of two songs from the album “Alrasm Bil Kalimat” (Drawing with Words)has been done at the Masterdisk Studios in Paris, France, but the rest of the album was mastered and mixed at the AVATAR studios in New York June 2009. This is the same recording studio that hosted a great number of music pioneers such as Paul McCartney, Paul Simon, John Mayer, and Al Di Meola.
For heavy metal fans, this is the same studio where progressive metal legends Dream Theater recorded their superb albums “Black Clouds & Silver Linings” and “Systematic Chaos”.
To summarize the above, the songs are like priceless paintings that depicted love, relationships, emotions such as shyness, sorrow, contemplation, deprivation and sleepless nights, as well as good and bad friendship.
Final word, buy this album if you didn’t, listen to the songs, enjoy perfection in music making and its arrangement